For use with a Crystal Radio — David Wagner 2007/11/02 00:11
Modern ceramic piezoelectric earphones seem to have the following characteristics1).
1M 5u4 \ /
VVV-------+--||---[]--+
| | |
| 27m | |
+--UUUU--+ |
| ==== | |
| | |
>---VVV VVV----------+
1M 1M |
|
o-------------------------+
Piezo Driver Test Circuit
| 20 MΩ | DC Impedance |
|---|---|
| 15000 pF | Capacitance |
| 57 dB@1000Hz | Sensitivity |
| 200-8000 Hz | Frequency Response |
In addition, the following need verification.
| 500-50 Ω | Impedance from 500-10,000 Hz 2) |
|---|
The blue (Kyocera KBT-44SB-1A) piezo measures 68700 pF capacitance.
The crystal radio driving circuit to try has these controls.
Some initial experimentation has led me to consider seriously complicating the use of a crystal earplug with a crystal radio set. I think most of this information will also apply to using piezoelectric elements, as well.
I noticed a few things concerning the basic crystal earplug when playing with my first crystal radio set. First I found it helps a great deal to wire two piezo earplugs in series and use one in each ear.
\ /
+--||--+--[]--+
| | |
| +--VVV-+
| |
>-------+----VVV |
| |
o-------------+-------+
A series capacitor and a resistor protect the earplug from DC.
\ /
VVV--+--||--+--[]--+
| | | |
| | +--VVV-+
| | |
>---+ +----VVV |
| |
o-------------+-------+
Two potentiometers are needed to adjust the speaker bias independently.
Then I solved a problem. An earplug might work for a few seconds, then stop until I reversed the leads. Then it would work again for a few seconds, then stop again. Luckily I purchased more than one (volume discounts and spares for when I break them), and not all of them did this. At first I thought I had broken one, but when a second did the same, I got to thinking. It turns out ceramic earphones really do not like, and can even be damaged by DC current. A decoupling capacitor in series with the earplug solves the problem, as shown at right. Since this capacitor is part of a high-pass filter, it should have a value high enough to avoid losing too much low frequency content, but because of its very high impedance, only 33pF is necessary. A 0.22 µF series capacitor should be large enough to avoid significant audio signal loss, and 0.1 µF is the conventional value. A large resistor (1 megohm is fine) is also needed to prevent a slow buildup of voltage through component leakage.
Then I thought about how crystal radios and piezo elements work, and realized the potentiometer was adjusting the bias on the diode and the piezo element simultaneously, and it seemed unlikely both would be optimally biased at the same setting. So I did a little experiment and found I could greatly increase the sound quality and radio performance by using separate adjustments. Precise adjustment of the speaker bias is necessary to maintain good sound quality. The correct resistance seems to depend mostly on the detector and piezo series capacitor in use.
Next I found that even greater series capacitance values (up to perhaps 4.7 µF) seems to improve lower-frequency response since the inductor and this capacitor form a bandpass filter. 3) However, it becomes more difficult to find the sweet spot in piezo bypass resistance since the response to each adjustment is delayed more while the larger capacitor charge equalizes. The capacitor polarity is marked on the schematic since it may be more convenient to use a high-quality tantalum or electrolytic capacitor, but sound quality is much improved by using only film capacitors.
This paragraph isn’t right here.
Tantalum caps are fine, and you may be able to get away with using some polarized components when receiving local stations with at least 10% film capacitance in parallel, though doing so makes it critical to adjust the bias pot properly. I haven’t tested regular (aluminum) electrolytic capacitors yet, but those rated for low-voltage use should be fine in parallel with some film caps.
A reasonable compromise is to use a smaller (0.1 µF) mylar capacitor in parallel with a larger (2.2 µF) tantalum capacitor, or better, a 1 µF tantalum in parallel with a 0.47 µF film capacitor. In series with a 27 mH choke, these form a bandpass filter with a center frequency of 800 Hz. 4)
At these very low power levels, the nonlinear characteristics of the capacitors are quite noticeable. I’m not kidding; the audiophiles are right on this. A combination of nonpolar tantalum5), mylar film, and ceramic capacitors yields good results. High-quality audio capacitors would likely be best, but can get very expensive.
Further experimentation indicates the best performance when the resonant frequency of the electrical circuit matches a resonant frequency of the mechanical system.
The 33 pF bypass cap in the horn-loaded circuit below may be useful at times, but removing it improved the sound quality immediately, even when the potentiometer was adjusted to 1M. Further experimentation seems to indicate five things.
Although I’m still working on nailing this down, it seems that when the self-resonant frequency of the inductor is less than the tuned frequency, (and perhaps also when it is less than the harmonics produced by detection), RF power backs up behind it and starts flowing all over. For example, using the bypass capacitor nearly eliminates hand-capacitance effects, both on the tuner knob and on the inductor.
The solution seems to be to use a series of low-DC-resistance chokes starting and ending with low inductance values so the high-value inductor is in the middle. If the need for this RF bypass cap can be eliminated, it may still be useful to have a variable capacitor (perhaps 0-100 pF) here to allow heavy tank loading. No, this would add another variable resonance. Better may be to use smaller inductors and larger capacitors so the bandwidth extends into RF.
Look into bias tee designs.
However, there will always be some RF present since diode back-leakage the detector’s non-linear response will always leave some unmodulated RF which cannot be filtered to DC or audio frequencies. a passive LCR circuit will always leaves some RF.
Twenty turns on an FT37-436) should serve to reject RF so it doesn’t pass into the larger audio inductor. A very small capacitor (2.2 pF) or a larger capacitor in series with a resistor (
56 pF & 100 kΩ?) should suffice.
“There have been some studies that indicate loud speakers set apart from the listener at some feet AND within a small soundproof room do better than headphones in a soundproof environment. Also, little horns on piston transducers do better than standard headphone shapes; the piston does a better job of matching to the air.” –W0XI on Rap 'n Tap
\ /
||28"
76m 15u || 0.1u?
+----UUUUU--+--||--+--[]--+--||--+
| = = = | | | |
| | +--VV--+ |
400u | / | / 2M 5H |
>--UUU--+--||--+ +--VV---------UUUUU--+
= = /365p| /1M ===== |
| |
| / |
o--------------+--VV---------------------+
/1M
A 28” air horn bell with a 1” throat and a 7” mouth resonates at a fundamental frequency of 150 Hz.7) This frequency is lower than the 300 Hz necessary for speech intelligibility, but sounds great with music. However, closed pipes resonate at odd harmonics and the next resonant frequency is a bit high.
The 0.1 µF capacitor is used to adjust the audio loading and can range from less than 100pF to 1µF or higher, and can even be bypassed entirely for maximum loading.
\ /
||28"
33m 40u ||
+--UUUUU--+--||--+--[]--+
| = = = | | |
| | +--VV--+
| | / 2M |
>--+ - -||- -+-VV----------+
33p /100k |
/ |
o--------------VV----------+
/1M
Powerful 28” Horn Driver!
6u6 \ /
+--||--+ ||28"
| | 19m4 ||
+--||--+--UUUUU--+--[]--+
| +60u = = = | |
| +--VV--+
| / 2M |
+ -||- - - -VV- - - - - +
| 33p /100k |
| / |
>--+-----------VV----------+
/1M |
/ |
o--------------VV----------+
/1M
Alternative for careful use of polarized capacitors.
| Frequency | Inductance | Capacitance | |
|---|---|---|---|
| Harmonic | (Hz) | (mH) | (µF) |
| 1st | 140 | 13.45 | 96.09 |
| Music | 140 | 19.4 | 66.62 |
| 140 | 27 | 47.87 | |
| 140 | 32.85 | 39.34 | |
| 140 | 54 | 23.93 | |
| 3rd | 420 | 13.45 | 10.68 |
| Speech | 420 | 19.4 | 7.40 |
| 420 | 27 | 5.32 | |
| 420 | 32.85 | 4.37 | |
| 420 | 54 | 2.66 |
A side effect of tuning the electronics to the horn’s resonant frequency is the occasional honking of the horn, similar to the sound made by blowing over a bottle, when this frequency or an overtone is present.
The 7” mouth of this horn should cut off the frequency response below 500 Hz.8) Tuning the LC filter to this frequency literally rings the bell when reproducing this frequency, its overtones, or impact sounds, a very annoying distortion.
The idea is to match the impedance of the circuit to the horn’s impedance over the AM broadcast audio frequency spectrum. Since the horn is a resonator, an LC resonator matching both the center frequency and the bandwidth of the horn would be ideal.
Where does this go?
\ /
VVV------+--||---[]--+
| | |
+---+ +--VVV |
| | |
| VVV---UUUU---+-------+
| | ==== |
+---+ |
| |
| VVV----||----+
| | |
>--+---+ |
|
o------------------+
Nominal Layout
Some more thought about how best to tap as little energy as necessary led me to think of this mess. The idea is to control how the energy in each frequency range is used. The top section controls the total midrange audio frequency load and how much of it is used to bias the speaker. The second section controls how much low frequency and DC is used to bias the diode. The bottom section controls how much upper audio and RF is allowed to bias the diode. The three frequency range controls on the left will be pots with maximum values of 1-10 MΩ, and a 100-250 kΩ pot should be sufficient to adjust the speaker bias. Audio (log) taper pots should be easier to control, and all pots should adjust down to near zero resistance.
[
Explain where 150 kΩ or R1=15 kΩ, and R2=33 kΩ comes from:
50 kΩ.]
Opinions vary, but take 300-5000 Hz as the frequency range most important for intelligible speech. First, the capacitor in series with the piezo element forms a high-pass filter, f=300 Hz. Ignoring the large internal resistance9), the high-pass cutoff frequency of just the piezo element is,
707 Hz, and
212 Hz.
The piezo capacitance is limiting, so series capacitor should be a high enough value to make little difference. For example,
0.014 µF or even
0.013 µF.
However, too large and the capacitor may take too much time to charge, especially when the reseistance are set high.
A low-pass inductor filter for 5000 Hz is impractical, requiring many henries of inductance, but at least the RF can be blocked while bypassing lower frequencies.
47 mH.
1M 1u+ \ /
VVV-------+--||---[]--+
| | |
| 27m | 1M |
+--UUUU--+-----VVV---+
| ==== | |
| | |
>---VVV +---||---VVV---+
2M | 220 10k |
| |
o----------+--------------+
Another Test circuit.
1M 1u+ \ /
VVV-------+--||---[]--+
| | |
| 27m | 250k |
+--UUUU--+------VVV |
| ==== | | |
| | | |
>---VVV VVV--||--+---+
1M 1M 220p |
|
o-------------------------+
\|/ \ /
| +--||---[]--+
| | 0u15 |
| | |
1M 15m | | 100k |
VVV--UUU--+-->|--+------VVV |
| === | | | |
+---+ | | +---+
| | | | |
| VVV---||--+ VVV------||--+
| 1M 10p 1M 220p|
+-------------------------------+
1M \ / 0u1
VVV-+-[]--||--+
| | |
| VVV--------+
15m | 100k |
>----+-UUUU-+ |
| ==== | 1M |
| +--VVV |
| | |
VVV---------+---||---+
1M 220p |
|
o------------------------+
This configuration looks less useful.
It would be nice to block annoying whiny noise above 5000 Hz so it doesn’t get to the speaker, but that would be impractical, requiring a very large 1.5 or 10 H inductor. Instead, frequencies above 5000 Hz can be bypassed using a second capacitor across the speaker.
220 pF.
Radio frequencies can be used to bias the detector.
10 pF.
A pot in series with this (or a larger value) capacitor makes this a treble control, but it may be better to bypass only higher audio frequencies (over 10 kHz) with a smaller (100 pF) capacitor, Also, it wouldn’t be a bad idea to prevent RF from passing with the higher audio frequencies.
15 mH.
This makes the other inductor redundant.
µF.
800 Hz.
28in = 0.712 in = 0.712 m
38.48 in² = 0.02483 m²
0.7854 in² = 0.0005067 m²
5.473 1/m
148.9 Hz